Mid-year font releases 2023

We have reached a good number of font releases in 2023. Halfway between 2022 and 2024 seems like a good moment for a recap. What happened in the font market in these first six months of 2023? Get ready for a font treatment. Experimental, neutral, bold, colourful, classy, expressive, playful…, there are options for all kinds of type tastes. Explore the list and consider adding some of these new typefaces to your font library.

Samples of Readex Pro, CoFo Sona, CoFo Gothic, SFT Schrifted Sans, and SFT Sushka

Readex Pro by Nadine Chahine, Bonnie Shaver-Troup, Thomas Jockin, Santiago Orozco & Héctor Gómez / CoFo Sona by Liza Rasskazova / CoFo Gothic by Maria Doreuli / SFT Scrhifted Sans and SFT Sushka by Yulia Gonina

Samples of Adelle Sans Korean, Arvana, Dragon, Neutronic Hangeul, and 29LT Zarid Sans HZL

Adelle Sans Korean by Chorong Kim & Changseop Im/ Arvana by Noheul Lee & Loris Olivier / Dragon and Neutronic Hangeul by Minjoo Ham / 29LT Zarid Sans HZL by Lisa Huang & Chuyang Zheng

Samples of Nova Caps, Isard, Foldit, Rosalie, and Min Sans Stencil

Nova Caps by Tania Chacana / Isard by Pilar Cano & Ferran Milan / Foldit by Sophia Tai/ Rosalie by My-Lan Thuong / Min Sans Stencil by TienMin Liao

Samples of Waverse, Ciudadela_LC, Carole Serif, Melindrosa, and Hanae

Waverse by TienMin Liao / Ciudadela_LC by Muk Monsalve / Carole Serif by Lisa Schultz & Matz Gasser / Melindrosa by Flavia Zimbardi / Hanae by Flavia Zimbardi & Ayaka Ito

Samples of Jobim, Octavia, Amberwood, Relais, and Lo-Res Monospaced

Jobim by Flavia Zimbardi & Inga Plönnigs / Octavia by Flavia Zimbardi & Tida Tep / Amberwood by Alanna Munro / Relais by Olivia Wood & Alezander Rütten / Lo-Res Monospaced by Zuzana Licko

Samples of Avril, Borel, Caliste, Ginka, and Scorpione

Avril by Laurene Girbal / Borel by Rosalie Wagner / Caliste by Émilie Rigaud / Ginka by Julie Soudanne / Scorpione by Pauline Fourest

Samples of Aeroplan, Filip, Mikrobe, Baustraße, and Anona

Aeroplan by Nina Faulhaber / Filip and Mikrobe by Elena Schneider / Baustraße by Franziska Weitgruber & Michele Galluzzo / Anona by Joana Correia

Samples of Baga, Loretta Display, Solfa, Joc Display, and Silverknife

Baga by Joana Correia / Loretta Display by Joana Correia & Abel Martins / Solfa by Catarina Vaz & Rui Abreu / Joc Display by Sabina Kipară / Silverknife by Diana Ovezea

Samples of Ceraph, Fuzar, Sixten, V1olet, and Konrad

Ceraph by Emma Piercy / Fuzar by Noheul Lee & Loris Olivier / Sixten by María Ramos & Noel Pretorius / V1olet by Carmen Nácher / Konrad by Martina Meier

Samples of Felicette, Kensington, Neue Swiss, Salad Days, and Socko

Felicette by Lynne Yun & Cris R. Hernández / Kensington by Jen Hood / Neue Swiss by Jen Wagner / Salad Days by Meg Lewis / Socko by Libbie Bischoff

There is a handy spreadsheet that compiles some extra information. It’s a living document, so if you want to see something added to this list, please send a comment.

👏👏👏 Congrats to the designers and engineers behind all these releases. We are looking forward to discovering what’s next in the second half.

Alphabettes Variety Show: June 15, 2023

Variety Show text with a gradient background and animated text

Alphabettes Variety Show is back for its 🤯6th edition🤯 of live interviews, interactive activities, and other surprises as part of TypeLab at Typographics. We’ll be mostly online again but if you’re in NYC, go check out the in-person TypeLab at Cooper Union.

Grab your mug of tea or beer or anything in between and join the TypeLab Europe channel on Thursday, June 15 from 11-12:00 (EDT/UTC-4)! Register here or check out the full list of event on the TypeLab site.

2023 Variety Show graphic by Sandra García featuring the soon-to-be-released typeface Sandhouse!

24 Hour Hangout for International Women’s Day 2023

Last year, we took a hiatus from our ridiculously complicated and sleep-depriving idea of a 24 Hour Hangout on International Women’s Day. The concept was first crafted in 2019, before endless video calls with friends around the world was as normal as shoving a medieval torture stick up your nose and wiggling it around for 15 seconds. This year, we’ve decided to once again (dis)organize our 24 Hour Hangout on Wednesday, March 8. And, we hope you’ll join us.

>>>Link to the live Hangout<<<<
Note: This year we’re using Jitsi.

Here’s how it works:

From March 8, 2023 at 12:00am ET / 05:00 UTC to 11:59pm ET / 04:59 UTC 3/9, stop by for conversations on type, design, the universe, what’s in that dreaded ‘desktop’ folder on our desktop, whatever! Everyone is welcome. Some times may be more spontaneous and chatty, other hours might be filled with activities and presentations.

Look! A Handy Timezone Chart!
timezone converter table

Some fun plans throughout the day (times in ET):
00:00: Amy kicks it off with a bedtime story
02:00: Liron and her daughter, a budding 7 year old lettering artist, talk about learning to write
03:00: Typewriter chat with María and friends
09:00: Boom shares what she’s up to in Bangkok and Luang Prabang, Laos this month
10:00: Ro and friends discuss the recent anticonferences and events they just organized
11:00: La Hora Spanish with Caro and friends
12:00: La Segunda Hora Spanish with Laura, María, Elena and amigas
14:00: Alanna and Sophia on live streaming type design
15:00: Ro and friends will make posters in preparation for the Women’s Day march
16:00: Bianca and Tânia show books and chat
17:00: Luisa’s Advice hour! Unqualified advice about life, typography and everything else.
18:00: Teresa hosts type conference social hour. Yes, there is a TypeCon this year.
21:00: Lisa on AI generators + letters + typography + low-res impressions of language

and more! Surprises! Fun! Chats!

Who can attend:

You! All are welcome* to stop by when you can and leave when you need. Video is possible but just audio is fine, too. Or, just help the chat stay aflame. Keep an eye on this post and the socials for any updates and help us spread the word! INTERNATIONAL WOMEN’S DAY = FUN.

* Participants must follow our code of conduct.

WOMEN = FUN

Ezhishin, Una Invitación A La Reflexión

To read this post in English, keep scrolling or go here.

El pasado 11-12 de noviembre el evento EZHISHIN, nos permitió descubrir los desafíos y triunfos que implican diseñar tipografía para lenguas indígenas, el proceso de revivir un idioma o incluso cuestionar el impacto del colonialismo en el diseño y la percepción que tenemos sobre nuestra realidad. Cada presentación es única y generará debates que invitarán a la reflexión, desafiando la sabiduría convencional e inspirando nuevas ideas. Desde el 1 de febrero y gracias al patrocinio de Google, los videos están disponibles para que todos los vean en línea. Te invito a que te prepares para ampliar tu comprensión del poder del diseño y el papel que desempeña en la configuración de nuestro mundo.

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Not your average type conference: Typefobia, this weekend Feb 4–5

A few weeks ago, I found the most wonderful surprise in my in-box: a 15-page PDF outlining what appeared to be a kind of alternative typographic universe: an “anti-conference about the ‘culture’ of letter design”. It’s Typefobia, happening this weekend, February 4 and 5, online and in Puebla, México.

a blue sky with white puffy clouds with yellow text "Hiiii!" in Comic Sans

This is not your average type conference and Typefobia organizers, Romina and Karly, answered some questions about how this weekend intends to challenge industry / academic expectations and reimagine what a design conference can be.

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Mentee Guide 2022–2023

Alphabettes mentorship program open until 20 december 2022

Thank you for showing an interest in the Alphabettes Mentorship Program. If you wish to participate your first step will be to fill in the Mentee application form. Here are some notes and recommendations we have put together for you. Following these tips will help us to better understand your goal and to find the best Mentor to guide you through the process of fulfilling it.

Key moments
01/12/2022: Applications open
20/12/2022: Applications close
February: Applicants are notified of the outcome and for successful ones, mentors and mentees are introduced.

Eligibility
After a few years of accepting anyone seeking to explore more the fields of type, typography, or the lettering arts, we have made the decision to close Mentee applications to men. We operate on a basis of trans inclusivity, and accept Mentee applications from all women and non-binary people.

Before you apply:

    • Please remember that our Mentors are professional experts who are willing to donate their precious time for you. The program is built to provide you with guidance and advice on a specific matter during a set period of time. It should not to be confused with private tutoring for educational programs or a free of charge consultation for commercial projects
    • Learn about the program from the available resources: read the FAQ, dive into our blog posts, watch our Behind the Scenes video to learn how the program works and watch the Showcase Party video to see how former Mentees described their projects and goals. Make sure you are well informed about how the program works, and in case you have any question, you guessed it, just drop us a note.
    • Filling in the form means that you are ready to actively commit your time as a Mentee for the upcoming term. If you are not sure you are up to it please hold off and apply to the following term

When you apply:

    • Make sure you introduce yourself as best you can. What is your background? What are your interests? Don’t be shy; the more you share, the easier it will be to find your best match
    • Be specific about the field in which you seek guidance. You can choose one from: Type design, Font production or Typography or Lettering
    • Within the field you have selected, clarify the topic of your project. You can choose one from: Portfolio & Personal projects, Education & Research or Career & Industry
    • When you describe your project and goals, be as specific as possible. Share your current situation and what it is you are missing. Expand on your needs and expectations of the mentorship program.
    • When you think about your project, keep in mind that the mentorship program runs for 3 months. The scope of your project should fit this timespan
    • Think about how a Mentor can help you accomplish your goal. How will you benefit from your Mentor’s guidance and advice?
    • Note that the more focused you are on what it is you are looking for the faster it is for us to help you find it! Think of your goal in the form of a brief, or a project. If you are unsure or struggling to articulate your goal, or have any questions or concerns, do not hesitate to contact us before you fill in the form


We strongly suggest you start preparing your application well in advance and get in touch for any doubts or concerns. Spots will be awarded on a first-come first-serve basis, so be as ready and prepared as possible for the application opening day.

After you apply:

    • You did it! We will get in touch in February to communicate the outcome of your application. If successful you will be asked to confirm your availability to us within a week. To avoid missing important and time sensitive communication, please make sure you whitelist our email address and check your email spam folder regularly.

Mentoring is a fantastic tool to empower others, grow confidence and new skills, and both our Mentees and Mentors have found the relationship transformative and fulfilling. We hope this has helped you with applying as a Mentee and we look forward to having you join us!

Alessia, Eleni, Liron, Veronika and Shani

Overly Ambitious Summer Reading List 2022

four books stacked on a table outside with some yellow flowers and greenery in the background. The books are from top to bottom: The Typographic Medium, The Black Experience in Design, Type Specimens, and Building Ligatures The Power of Type

As the weather warms up and the bugs get buggier (at least in the Northeastern US), there’s nothing like an overly ambitious reading list to get those summer vibes flowing. Here are some Alphabettes-approved books published in the past year or so that will make the perfect stay/vacation companions. Do a public service and be sure to buy these from a local bookshop or request a copy for your local and university library!

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Alphabettes Variety Show: June 16, 2022!

The Alphabettes Variety Show returns to the TypeLab at Typographics on Thursday, June 16, 2022, 13–14h EDT. This year, the TypeLab offers the best of both worlds: if you’re in NYC, check it out in-person FOR FREE on Thursday, Day 1 (Day 2 + 3 are only open to Typographics attendees) OR join in from anywhere via Zoom (registration required) OR lurk on the YouTube livestream.

This year, we’ll feature live interviews from Kyiv, Buenos Aires, Maine, Oslo, and NYC, answer all your burning #dearalphabettes questions, and probably some other things we’ll think of at the last minute. Join us with a beverage of choice or a piece of cake or both!

**RECAP**
Here’s what happened during this year’s Variety Show:
Kateryna Korolevtseva gave us a short but fascinating overview of her branding and typeface design projects and the context of working from Kyiv at the moment. We hope to see Kateryna speak at more conferences soon!
Muk Monsalve chatted with us about the recent update to her type family, Elmira on FutureFonts.
Zen Bastawala talked about moving to Maine and getting to know about the local ice cream scene.
Dyana Weissman joined us live from the Cooper Union TypeLab

See you next year 🙌

АБЕТКИ

Ukrainian type designers often emphasize the historicity of letters. And we are no exception.

We have been working with letters for about 12 years and we always love receiving orders for Cyrillic — here we can show all our knowledge about Cyrillic in some specific work.

For inspiration, very often we look at historical samples of such Cyrillic handwritings as: Ustav (pic.1), Napivustav (pic.2), Vyaz (pic.3) and Skoropys (pic.4).

We, Ukrainian designers, have long set a course to distinguish our Abetka (alphabet) from the Russian alphabet by focusing on the historicity of the Cyrillics. Nevertheless, we make it modernized, we work with it as with a living organism.

In these sketches (pic.5) we just wanted to demonstrate the “Ukrainianity” of the Cyrillic lettering. It is written here “АБЕТКИ” (“Abetkи”)—alphabettes in Ukrainian.

different examples of lettering

We are now in Ukraine and, as you know, there is a war. Unfortunately, there is no way to write this word in a calligraphic way, as we love and know how to do (see our Instagram profile: @vikatavita and website: vikavita.com).

Therefore, the lettering was done on the iPad in between running into the bomb shelter and after that there was work on the vectors.

Thanks for attention! And greetings from Ukraine💛💙