My initial motivation in learning lettering was to be able to create perfect, elaborate, admiration-inducing letters. In 2011 I completed a type design masters at EINA school in Barcelona, which also opened up the world of calligraphy and lettering in all sorts of styles for me. I ended up loving the brush. I wasn’t too good at first but after additional workshops, reference books —Brush Lettering: An Instructional Manual of Western Brush Lettering by Marilyn Reaves was particularly helpful— and hours of after-work practice, I finally tamed it. I even gave a brush lettering class. I felt pretty good about it. Then… I felt stuck. Most of what I was achieving was by the book but somehow felt bland and impersonal.
Reference alphabet I prepared for the brush lettering class I gave at the Spotify offices in Montreal in 2015.
